Highly influenced by James Joyce’s works, Rosselli for example desired to replicate a gap-time reality in her own art because of the examining and by extending the latest alternatives offered by words. Also, the idea of area-some time and from a great tetradimensional fact not just are mirrored in Rosselli’s linguistic testing, 
but it also lead to brand new creating out of her very own metric program, and this she referred to as Spazi metrici (Metric spaces), an idea privately lent from math. The analysis associated with the history author’s poetics can then are designed to after that inform you just how medical issues, additionally the room-big date concept specifically, definitely stimulated and powered the brand new aesthetic look of blog post-combat Italian music artists, certainly one of and this Scialoja and you may Fontana shine.
Amelia Rosselli’s very early trilingual composing (1952-1963) offers that have Scialoja’s new useful and you may generative testing with micro-audio and you can syllabications if you are meanwhile giving then research off research directly writing about factors from room-time, and that constituted an architectural feature from each other Scialoja and you will Fontana’s ways and also make
Having Rosselli, for Scialoja, the new poem functioned given that an area; however, if Scialoja’s poems was indeed based in order to go your state away from previous ‘forgetfulness’, Rosselli very carefully developed hers with the objective of developing ‘tetradimensional cubes’ supposed to encage the new author’s phenomenological impact away from reality or of energy prior, «Basically lay right back levels of time I might be prepared to open the list of places, address of all of the our lives». The fresh new grid and you may infrastructure of these a construct are provided by the fresh Metric place, this new operating of which Rosselli discussed inside her 1962 article into the meter. A ‘metric space’, when you look at the mathematics, is actually a gap of mathematical and you will algebraic aspect; in the event that opinion try moved to poetry they primarily identifies ‘meter’, i.elizabeth. the fresh rhythmic framework off verse. Nonetheless, of the conceiving meter as the a good ‘space’ (spazio) are occupied, Rosselli succeeded for making apparent two different spatial levels; first and foremost, new typographic setting of poem, and therefore visually mimicked the bottom of this new cube (therefore being square or rectangular in shape) and you will and that contains the text; secondly, the latest very nearly estimated cube and this contained the power plus the phenomenological exposure to the newest poet. The area-day perception of your own publisher is actually ergo seized into the authoritative build away from a tetradimensional «cube-architecture», where in fact the 4th aspect is regarding big date. Rosselli had written:
The brand new intra-spoken and you may ‘micro-timbric’ browse was used to produce an active «swarming from rhythms» from the a beneficial phonetic and you may acoustic peak; rhythms you to, by belonging to ‘noise’, could lead to a great universal vocabulary:
We went back back at my five classifications; letter, syllable, keyword, sentence and months. I presented her or him within a complete room-day. My personal verses could not eliminate the brand new universality of your own novel place; the length and you may time of the passages have been established in get better, my personal organizational product is actually determinable, rhythms modified not just to my will, as well as to your pre-organized place, which room is actually completely protected by enjoy, facts, objects and you can feelings. By the move this new rhythmic complexities regarding composed and you may imagined, however, unspoken, code, thanks to a large varying off timbric and rhythmical particles within a great unmarried and you can limited typical room, my personal meter, or even regular, was at minimum full; all of the possible and you can possible rhythms very carefully shielded my rectangular having its timbric breadth, my personal rhythm are musical up to the fresh post-webernist experiments, my personal volume, when establish, was compared of the an effective swarming out-of rhythms which have been not translatable during the legs or in small otherwise long steps, however in tiny menstruation, which is scarcely noted, if one wished to, with a pen on the chart papers.